Stephen Chigorimbo
Stephen was born on April 5, 1951 at Chegutu, a small mining and agricultural town 100 kilometers west of Harare. He is a descendant of Mashayamombe, one of the leaders of resistance to imperialism in Zimbabwe in the late 19th century.The socially and politically conscious Highfi eld High in the late 60s groomed Stephen in the arts, particularly theatre, literature, music, and movies when he wrote a screenplay at the age of sixteen.
During and after high school Stephen acted and took part in Shakespearan plays like Othello and MacBeth, others like Kongi’s Harvest by Wole Soyinka, and many more.
After school he found himself studying insurance after a stint at the potter’s wheel as a hand thrower. He became a leading life assurance manager and trainer until 1984 when he quit and went into filmmaking fulltime.
A German feature, “Whispering Death,” was the first movie he worked on as an actor and subsequently assistant director. After that he took part in many films including: Slavers, Month of the Doctors, House of Hunger, Tuxedo Warrior, Jake Speed, King Solomon’s Mines, Richard Attenborough’s Cry Freedom, Mandela, and many others. He has worked as an actor, writer, Assistant Director, Production Manager, Producer, Director and as a Trainer on the UNESCO/ Zimbabwe Film Training Project. Stephen has worked as a filmmaker in South Africa, Nigeria, Kenya, Tanzania, Ethiopia, United States, France and many countries.
He co-produced and directed his first feature film, Pfuma Yedu, in 1991. It was funded by Danish Film Central. He has directed many documentaries on ecology, the environment, religious social commentary, and sports programmes especially golf. Stephen line produced “The Big Time,” and became a household name in Zimbabwe as John Huni, a leading character in the runaway hit Zimbabwean soap “Studio 263”. He also wrote, acted, directed or produced other productions like “Estate Blues,” ”"'Mhembwe Rudzi,” lasting memories and others. Currently Stephen is working on a basket of projects at varying stages of development.
Ever since 1984, when a workshop on film-making was held in Zimbababwe, Stephen has become very much a part of the development strategies of the industry in Zimbabwe, the region, and Africa. He has been a founding member of the film workers association in Zimbabwe, a founding member of the Southern Africa Film Festival, and was elected and serves on the board of FEPACI – the pan African association of filmmakers. During his tenure at FEPACI several projects were muted and were realized with his involvement to a greater or lesser extent. Among these are the Southern African Film festival (SAFF), which hosted a Mini INPUT, the Southern Africa Broadcasters Association (SABA), the film and Television Market (SITHENGI), ZIFF Zanzibar, ZIFF Zimbabwe and numerous others.
Stephen believes that the Audio Visual industry has great potential for the eradication of poverty and is a powerful tool for communication and development both at local and international levels.
During and after high school Stephen acted and took part in Shakespearan plays like Othello and MacBeth, others like Kongi’s Harvest by Wole Soyinka, and many more.After school he found himself studying insurance after a stint at the potter’s wheel as a hand thrower. He became a leading life assurance manager and trainer until 1984 when he quit and went into filmmaking fulltime.
A German feature, “Whispering Death,” was the first movie he worked on as an actor and subsequently assistant director. After that he took part in many films including: Slavers, Month of the Doctors, House of Hunger, Tuxedo Warrior, Jake Speed, King Solomon’s Mines, Richard Attenborough’s Cry Freedom, Mandela, and many others. He has worked as an actor, writer, Assistant Director, Production Manager, Producer, Director and as a Trainer on the UNESCO/ Zimbabwe Film Training Project. Stephen has worked as a filmmaker in South Africa, Nigeria, Kenya, Tanzania, Ethiopia, United States, France and many countries.
He co-produced and directed his first feature film, Pfuma Yedu, in 1991. It was funded by Danish Film Central. He has directed many documentaries on ecology, the environment, religious social commentary, and sports programmes especially golf. Stephen line produced “The Big Time,” and became a household name in Zimbabwe as John Huni, a leading character in the runaway hit Zimbabwean soap “Studio 263”. He also wrote, acted, directed or produced other productions like “Estate Blues,” ”"'Mhembwe Rudzi,” lasting memories and others. Currently Stephen is working on a basket of projects at varying stages of development.
Ever since 1984, when a workshop on film-making was held in Zimbababwe, Stephen has become very much a part of the development strategies of the industry in Zimbabwe, the region, and Africa. He has been a founding member of the film workers association in Zimbabwe, a founding member of the Southern Africa Film Festival, and was elected and serves on the board of FEPACI – the pan African association of filmmakers. During his tenure at FEPACI several projects were muted and were realized with his involvement to a greater or lesser extent. Among these are the Southern African Film festival (SAFF), which hosted a Mini INPUT, the Southern Africa Broadcasters Association (SABA), the film and Television Market (SITHENGI), ZIFF Zanzibar, ZIFF Zimbabwe and numerous others.
Stephen believes that the Audio Visual industry has great potential for the eradication of poverty and is a powerful tool for communication and development both at local and international levels.
